From 31 May 2025 to 29 March 2026, infants, children and the young at heart are invited to learn through play and art with eight interactive artworks by artists from Singapore and Asia

Gallery Children’s Biennale 2025. Image credit: National Gallery Singapore

National Gallery Singapore’s family-favourite Gallery Children’s Biennale returns for its fifth edition on 31 May 2025 with the theme “Tomorrow We’ll Be…“. The Biennale aims to inspire young minds to dream big and embrace the boundless possibilities of their future through art and play. Guided by four core values of Joy, Kindness, Dream, and Love, spaces throughout the Gallery will be transformed into vibrant sites for play, learning, and imagination, with eight interactive and larger-than-life artworks by artists from Singapore and Asia. For the first time, all artworks in the Gallery Children’s Biennale include baby-friendly experiences that stimulate their auditory and visual senses in a safe environment. The Biennale champions accessibility and inclusivity for all audiences, with thoughtfully designed spaces and experiences that enable infants, toddlers, children, and persons with disabilities to enjoy and participate in art activities.

Kindness Garden by Hiromi Tango. Image credit: Hiromi Tango

This reflects the Gallery’s unwavering dedication to cultivating a thoughtful, inclusive, and creative society, with the Gallery marking its 10th anniversary this year. Crafted especially for families and young visitors, the Gallery Children’s Biennale empowers children as co-creators and active participants as they engage in hands-on play and multi-sensory exploration, creating opportunities for families to bond and engage in open conversations.

To enhance their experience, visitors may also pick up the Gallery Children’s Biennale 2025 Art Pack – an art activity kit filled with vibrant art supplies, step-by-step instructions, and creative explorations inspired by the eight artworks. For the first time, the Art Packs are available in two age-banded versions – one for children aged six and below and another for children aged seven and above – which encourages children to develop a love for art through these enjoyable educational resources.

Gallery Children’s Biennale 2025 spotlights eight artworks, with seven commissioned works by local artists Fern Wong and Wyn-Lyn Tan, South Korean artist YeSeung Lee, Australia-based Japanese artist Hiromi Tango, Laotian artist Souliya Phoumivong, Malaysian-based art collective Co2_karbondioksida, Singapore-based Spanish artist Vicente Delgado, and an installation by the Gallery inspired by pioneer artist Mohamed Salehuddin’s painting, Malay House, Malacca (c. 1960).

Embracing the Future with Joy

Joy can be found in life’s simplest moments, whether it is spending time with loved ones or engaging in a favourite pastime. Through vibrant colours and playful movement, the Gallery Children’s Biennale invites children to explore what joy means to them and how it can be shared, and encourages children to express their gratitude for what brings happiness into their lives.

Colourful Play by Fern Wong. Image credit: Fern Wong

Local artist Fern Wong presents Colourful Play at the Gallery’s Coleman Entrance and Spine Hall in this first-time collaboration between the Biennale and ART:DIS (a non-profit organisation for persons with disabilities in the arts). Children can embrace feelings of joy through splashes of colour, playful textures, and patterns inspired by the artist’s intricate papercut works. The large interactive wall at the Spine Hall invites children to have their hand in completing the artist’s papercut design using magnetic papercut shapes. Babies and toddlers can have fun with colours, sound and materiality as they engage with a wall of maze, rotating sound makers, textural panels and reflective elements – likened to a sensorial busy board which encourages sensorial, cognitive development and exercising of fine and gross motor skills in early childhood. Together, these engagements form a growing tapestry of shared creativity that builds on Fern’s perspective on art.

Dance Dance Chromatics by Wyn-Lyn Tan. Image credit: Wyn-Lyn Tan

At Dance Dance Chromatics, local artist Wyn-Lyn Tan welcomes visitors to put on their dancing shoes and explore art through movement and play. This multi-sensory artwork features a digital AI-generated landscape based on 20 years of the artist’s paintings, including serene scenes of the vast sky and the ocean’s waves. Responding dynamically to motion and touch, when children interact with the motion sensors and four directional floor pads on the ground, they trigger distinct disruptions in the colours and movement of the “living” video-wall of paintings. Similar to how artists use colours and movement to express feelings, children can explore how this movement-led artwork sparks joy and creates meaningful connections through art.

Empowering the World through Kindness

The Gallery Children’s Biennale champions kindness as a strength. The artworks invite visitors to consider the feelings and needs of others, nurturing empathy and emotional intelligence in children and demonstrating how to practice kindness. This enables them to become more understanding towards the different communities around them.

Kindness Garden by Hiromi Tango. Image credit: Hiromi Tango

Kindness Garden by Japanese artist Hiromi Tango invites children to explore a garden of empathy through their senses of touch, sight, hearing and smell, with a series of giant blooming flowers and a “sound flower” as the centrepiece of the artwork. Stepping into the shoes of the visually impaired, children can experience reading words of kindness inscribed in braille on the petals. By considering the thoughts and experiences of others, the artist hopes to instil a deeper understanding of the different communities around us. For children who may feel overwhelmed, Kindness Garden includes calm domes where they can rest amongst lavender-scented plushies, making the experience friendly for neurodivergent children.

Lessons in Being Kind by Souliya Phoumivong. Image credit: Souliya Phoumivong

The Gallery’s Anteroom will transform into a cosy theatre space with a screening of a stop-motion film by Laotian artist, Souliya Phoumivong. Lessons in Being Kind follows colourful round blob characters on their journey of self-discovery, touching on topics such as identity, self-acceptance, and the importance of kindness towards others and oneself. This powerful story prompts children to consider how empathy and compassion can shape the communities around them. The space also displays the adorable clay figures featured in the film (made by young Singaporean participants), an activity area where families can create their own stop-motion video, and a fun balancing chair that engages children to work together to keep it level.

Exploring Love through Human Connections

As a central part of a child’s development, love is a basic emotional need that informs how they form positive attachments to people and their surroundings. Children are prompted to think about what it means to love the people and spaces around them, creating emotional bonds that nurture a sense of belonging.

I WE THEM by Vicente Delgado. Image credit: Vicente Delgado

I WE THEM by Singapore-based Spanish artist Vicente Delgado invites visitors into a whimsical world where the surroundings and seated areas are reimagined as playful characters – symbols of connection, comfort, and shared moments. It also features a dedicated area with a foamed ‘flower bed’ and soft sculptures specially designed for babies and toddlers to enjoy free exploration. Sparking curiosity and emotional engagement, I WE THEM supports sensory and emotional development through vivid colours, bold forms, and gentle textures. Tactile elements include a giant inflatable hand for high-fives, and seven interactive rotating discs in varying sizes tailored to different age groups. Through art and play, I WE THEM celebrates love, empathy, and the simple act of being together.

Home Is Where The Heart Is inspired by Mohamed Salehuddin. Malay House, Malacca. 1960. Oil on canvas. Image credit: National Gallery Singapore

Inspired by local pioneer artist Mohamed Salehuddin’s painting Malay House, Malacca (c. 1960) from the National Collection, the installation Home is Where the Heart Is invites visitors to discover the diverse homes and living spaces which make up Singapore’s shared heritage. The mural brings an imaginary neighbourhood to life, inviting children to explore ideas of belonging and love of their community and home. The mural includes interactive, tactile and auditory elements, such as ringing of a doorbell and opening a door to a neighbour’s home, and even greetings from the friendly neighbourhood pushcart ice cream seller. Parents and grandparents are also encouraged to share personal memories and stories of the places they once called home, fostering a deeper appreciation of our roots, and promoting intergenerational bonding.

Dreaming of what the Future Holds

Responding to the core value of Dream, these artworks inspire children to dream of a future that inspires strength, different perspectives and resilience to forge ahead. Children are encouraged to imagine their dreams about their ideal futures through art and play, and even bring them to life.

Fantasy by Co2_karbondioksida. Image credit: Co2_karbondioksida

Exploring themes of sustainability and revisiting childhood memories, 130kg of upcycled children’s clothing and close to 400 donated toys found new life in Fantasy by Malaysia-based art collective Co2_karbondioksida. At the heart of the dreamy space is a striking, large-scale mobile made from repurposed toys, encouraging children to lie back, look up, and dream. Soft cubes sprawled across the cushion floor, both made from donated children’s clothes, create a safe interactive space for babies and young children. As visitors engage with the installation, they are prompted to reflect on issues such as the impact of waste and overconsumption on the environment, while inspiring dreams of a greener, more sustainable future.

Imaginary Peach Garden by YeSeung Lee. Image credit: YeSeung Lee)

South Korean artist YeSeung Lee brings her expertise in technology and new media art to the Gallery Children’s Biennale with Imaginary Peach Garden. This digital-enabled experience invites visitors to reimagine the world around them. Inspired by tazo puzzle cards and animals from Korean and Southeast Asian folktales, the artwork features two approaches for children to create their interpretation of fantastical creatures – a hands-on experience with physical modular foam puzzles, and the use of devices to create digital formations which are projected onto the wall. The work also includes large inflatable forms which expand and deflate rhythmically, almost like living organisms, evoking a sense of humour, wonder, and unexpected vitality.

Creating Meaningful Experiences through Impactful Partnerships

The impact of the Gallery Children’s Biennale has also extended beyond Singapore this year with the National Museum of Modern and Contemporary Art (MMCA) in the Republic of Korea’s adopting of the Biennale’s theme “Tomorrow We’ll Be…” and four core values for their children’s exhibition which launched on 1 May 2025. This collaboration also marks 50 years of diplomatic ties between Singapore and the Republic of Korea. MMCA’s exhibition also includes another presentation by YeSeung Lee, as well as an adaptation of Big Hug by Singaporean artist Delia & Milenko Prvački, which was first presented in the 2019 edition of Gallery Children’s Biennale.

National Gallery Singapore has also partnered with Qifa Primary School to pilot a new engagement programme that spotlights children’s perspectives for the Gallery Children’s Biennale. Since February 2025, the Primary 4 and 5 students have taken on the roles of junior art reporters, known as “Gallery Artsplorers”, to conduct interviews with artists. Their reflections on the artworks are also featured on the artwork labels, presenting the Children’s Biennale experience to visitors, young and old, through their eyes.

An Invitation to Play and Learn at Gallery’s Children Biennale 2025

The Gallery’s Children Biennale 2025: Tomorrow We’ll Be… runs from 31 May 2025 to 29 March 2026, with eight interactive artworks across National Gallery Singapore. Admission and participation in Gallery Children’s Biennale 2025 are free for all visitors.

With a recommended donation of $2 to the Gallery, visitors may also pick up a My Biennale Buddy activity booklet onsite, which features extended artist and artwork write-ups, programme information, and a stamping activity where families may redeem a small gift upon visiting all the artworks and collecting the stamps. Additionally, the Gallery Children’s Biennale 2025 Art Pack of activities can be purchased for $8 from four vending machines located on Levels 1 and B1 of the Gallery.

📅 31 May 2025 – 29 Mar 2026
📍 National Gallery Singapore
🏷 Free admission

For more information, please visit: here.

🎭🎪 JUNE SCHOOL HOLIDAY 2025 🎪🎭

The June school holidays are here! Make the most of the break with your little ones – discover our curated list of fun and exciting activities happening across Singapore during the June School Holidays 2025.

🐉🍙 DRAGON BOAT FESTIVAL 2025 🍙🐉

The Dragon Boat Festival falls on 31 May 2025! Celebrate the occasion with delicious traditional treats – check out our specially curated list of the best places to buy rice dumplings (bak zhang) in Singapore.

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